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CONTENTS
  • Preface
  • Compiler's Notes

    PART ONE: GENERAL SIGNS
  • Purpose and General Principles
  • Basic Signs
  • Clefs
  • Accidentals
  • Rhythmic Groups
  • Chords
  • Slurs and Ties
  • Tremelos
  • Fingering
  • Bar Lines and Repeats
  • Nuances
  • Ornaments
  • Theory
  • Modern Notation

    PART TWO: INSTRUMENTAL AND VOCAL
  • General Organization
  • Key& Time Signatures
  • Rhythmic Groups
  • Chords
  • Slurs and Ties
  • Tremelos
  • Fingering
  • Bar Lines and Repeats
  • Nuances
  • Ornaments
  • Theory
  • Modern Notation

    PART TWO: INSTRUMENTAL AND VOCAL
  • General Organization
  • Keyboard Music
  • Vocal Music
  • String Instruments
  • Wind and Percussion Instruments
  • Accordian
  • Instrumental Scores

    APPENDICES
  • Authorities for this work
  • National Signs of 16 Countries
  • Index of Signs in Standard Braille Order
  • Tables of Signs


    Other Resources
  • Contact instructor
  • Send mail to class
  • Main BRL page
  • Contractions Lookup
  • Contractions List
  • Intro Braille course
  • Transcribers course
  • Specialized Codes course

  • CHAPTER NAME GOES HERE

    This New International Manual of Braille Music Notation is the result of many years of consultations within the Subcommittee on Braille Music Notation, World Blind Union (WBU). It is continuing the series of manuals published after the conferences of Cologne, 1888, and Paris, 1929 and 1954. This new manual summarizes the resolutions and decisions of the WBU subcommitteeÕs conferences and workshops held between 1982 and 1994. Unification was reached above all in the following areas: clef signs, figured bass, guitar music, chord symbols, modern music and many other single signs. This manual also contains material of eastern European countries that were not present at the conference of 1954. It benefits in several details from manuals published in Moscow in the seventies and eighties. Important discussions took place at the conferences of Moscow, 1982, (where Dr. Jan Drtina was elected Chairman); Prague, 1985; Marburg (Germany), 1987; and Saanen (Switzerland), 1992. All signs and rules compiled in this manual were adopted by the delegates of the Saanen Conference, mostly by a large majority. Voting delegates to this conference are listed below. We are most grateful that Bettye Krolick was willing to compile the new manual and in the same year sent a first draft to members of the committee. Critical and constructive comments were gathered and presented to the experts in a second draft. This corrected version was unanimously verified and was the basis for the final work. Most all of the delegates contributed suggestions and/or material for the final version. An editorial group consisting of Vera Wessels (Netherlands), David McCann (United Kingdom), Leif Haal (Denmark), and Ulrich Mayer-Uhma (Germany) helped finish the book. But it was Bettye Krolick who did the main work. Thanks to her highly qualified competence, she showed perseverance where the process seemed to stop and conciliation where diverging opinions collided. I want to express my most grateful thank you to her. Likewise I thank the SVB in Amsterdam for publishing and distributing the print edition and the SBS in ZŸrich for printing and distributing the braille edition, giving the blind user the possibility to study the material carefully. We all hope that the signs and rules listed in this book, according to our majority agreements, will be rigorously used in braille music publications. Therefore, we ask the different countries to provide translations into their native language and to use it for future music publications. In cases of doubt, the original English version has the status of major authority. This is the only way to realize the goal of the delegates to improve the exchange of braille music publications between countries. As with most agreements, results could not be reached without compromises. We are aware that some traditional signs of one country or the other were not accepted in the voting. We ask the responsible experts to respect the new decisions, even if they concern signs and rules which are not yet familiar to them. This manual does not include ethnic music from Africa and Asia. The experts of these regions are asked to consider providing signs for the printed music of native instruments not yet covered in braille music. With this manual the work on unification of Braille Music Notation can not be at its end. It will be our future task to reach decisions on formats and specific signs for special cases. We will be grateful for all proposals coming from blind musicians, transcribers and other experts. Meanwhile we wish that the use of this book will be wide spread. We thank all participants of the former conferences for their good cooperation and ask them to join the future work in this field. Subcommittee on Braille Music Notation, WBU, Ulrich Mayer-Uhma, Chairman. Official Delegates to the Saanen Conference Feb. 23-29, 1992 Australia Tom Macmahon Czech Republic Dr. Jan Drtina Denmark Erik Ki¿rbye Finland Paavo KonttajŠrvi France Louis Ciccone Germany Ulrich Mayer-Uhma Italy Giulio Locatello Japan Toshikazu Kato The Netherlands Vera Wessels North America Bettye Krolick Poland Andrzej Galbarski Russia Gleb A. Smirnov Spain Juan Aller Perez Switzerland Christian Waldvogel United Kingdom David McCann


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    Shodor logoThe Shodor Education Foundation, Inc.

    Copyright © 1999 the
    North Carolina Central University
    and the Governor Morehead School for the Blind

    Copyright © 1999 The Shodor Education Foundation, Inc.